#Footlight players theatre charleston sc how to

Have I said, “Don’t miss this?” Don’t miss this! If you’re concerned that you’ll need to brush up on your musicals to enjoy this, my date is Russian, and she loved it! In two and a half years in Charleston I have not seen a musical for adults that I’ve liked as well. “Be more self-indulgent than you even thought you could… Make it loud and add more reverb and the people think it’s good.” And, ﬁnally, the show ends with The Jazzes: Chicago and Cabaret, with a send-off nod to A Chorus Line. “It must just sound a teeny like something from Puccini.” Clever!Īnd one of my favorite lines in the show is from this section. It is commonly known in theatrical circles that Webber borrowed many of his most popular melodies from opera. Evita, Cats, Phantom of the Opera, and JC Superstar are skewered. ACT 1 ends with a funny lampoon of the Show-bizzy Diva Shows… Hello Dolly, Funny Girl, Gypsy, and Mame (“Where’s that boy with the bagle?”).ĪCT 2 takes Andrew Lloyd Webber to task (and rightfully so).

#Footlight players theatre charleston sc how to

While deciding how to dispatch June, he quips: “Hemlock is easy, but too Socratee-sy.” This part includes parodies of Into the Woods, A Little Night Music, and Company.

The second installment is my favorite-an astonishingly accurate spoof of Sondheim-which is no mean feat-in which Magley is the Sweeney Todd-esque demon artist. A highlight is Koehler’s vocal tribute to Climb Every Mountain and You’ll Never Walk Alone, which is summed up by the line “Follow your dream until you die!” First in the style of Rodgers & Hammerstein, with hilarious references to Oklahoma, South Pacific, Cinderella, The King & I, The Sound of Music, and Carousel. Her beau, Bill ( Anthony Massarotto), wants to help but lacks commitment, and the wise matron, Abby ( Katie Koehler), offers her sound philosophical advice.Īll of this is backed by a talented chorus ( Trey Barbaree, Haydn Haring, Latanya Mueller, Christina Leideland, Julian Summey), and a phenomenal, but invisible musician, Marsha Golsmith-who also directed the company musically.ĪCT 1 plays this “plot” in three styles.

The “plot” is simple: June (Fishburne) cannot pay the rent and the landlord, Jitter ( Kyle Magley), is happy to take alternate payment from the cutie. The Musical of Musicals (The Musical!) is a sophisticated spoof of The American Musical. Her acting is versatile, her comic-timing impeccable, her physicality Olympian, and her vocal abilities wicked! I could say that the cast is ﬁlled with skilled comic actors and actresses, exciting voices, pretty women, men who can dance, and some very clever choreography.īut I think I’ll begin this way: Mary Fishburne is an extraordinary triple-threat as the lead of the ensemble. I could say that young Jon-Michael Perry’s debut as a director is, at the least, an auspicious beginning for a promising talent. I could say, for example, that Musical of Musicals (The Musical!)-The Footlight Players’ 2012 Piccolo Spoleto Festival musical offering-is a hilarious and refreshing break from the same old musicals that every local theatre remounts. Single tickets available for seating at our 2 top bar tables.I COULD BEGIN this review a number of ways. Single tickets $50 each - (only 16 seats available) The bar will be open and our 4 top tables receive special benefits include open bar the entire show. This is a very limited seating event allowing for no more than 40 attendees.

Join Brian, accompanied by pianist Misha Pekar, as he spends an intimate evening sharing stories of his favorite musical theatre works and performing numbers from some of his most memorable roles with the debut of our new Sunday Night Speakeasy Series. He has headlined celebrated cabaret shows around Charleston including In the Key of B and Sondheim Nights as well as starred in a variety of notable performances including Hedwig and the Angry Inch, the Emcee in Cabaret (What If? Productions and Charleston Stage), Little Shop of Horrors, Thrill Me: The Leopold and Loeb Story and Peter and the Starcatcher. Brian Porter may be the Executive Director of Footlight Players and the Queen Street Playhouse, but he is also an award-winning artist and vocalist, twice named Best Local Actor by the Best of Charleston City Paper Awards.